Friday, January 24, 2020
Dillard and Thoreau Comparison :: Essays Papers
Dillard and Thoreau Comparison From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature. The love for nature is one that is formed when young. Thoreau shows evidence of early development of a lifelong love for nature that he would carry with him in everything that he did. As a young boy of ten he was fond of walking deep into the woods that surrounded his home in Concord in search of solitude (Salt 18). Thoreau expressed an interest in living at Walden Pond at the age of ten (Salt 19). His love of nature can largely be credited to qualities inherited from his mother (Salt 22). It would rightfully be his love of nature that he would be remembered for. Thoreau after graduating from Harvard College began to keep a journal that he filled with the many thoughts and observations that came to him on his daily walks about Concord (Richardson 7). These Journals would spawn into the many books that he wrote, the most prominent being Walden. Thoreau was a self-taught naturalist, who spent much of his time systematically studying the natural phenomena almost exclusively around Concord (Witherell and Dubrulle). His Journal contains these careful observations, such as the cycles of plants, of local water levels, and many other natural phenomena (Witherell and Dubrulle). These Journals help to impress the love that he held for nature. It is this feeling that has propelled him to be considered by many to be the leader of the environmental movement (Buell 171). Thoreau himself cared little for group activities, religious or political, and even avoided organized reform movements (Gougeon 195). The abolitionist movement did however bring Thoreau out and into the public forum (Salt 140). As he became further involved with his Journal and his examination of nature he began to develop into an environmentalist and natural historian (Buell 172). This is evident by his views represented in Walden regarding the progress that was taking place in Concord at the time (Witherell and Dubrulle).
Thursday, January 16, 2020
Biographical Analysis of John Mcwhorter
Han Bin Kim Comp II, Class B Assignment 2, Draft 1 February 23, 2013 John McWhorter Interview Over the years I have interviewed a good number of people, but there has never been anyone quite like John McWhorter. Upon reading the article ââ¬Å"The Cosmopolitan Tongue: The Universality of Englishâ⬠as published in the 2009 Fall edition of World Affairs, I found myself delighted by the mellow but powerful tone and the writer who could use it with such ease. Here was a man with brains, consideration, and humor.Lost in my reveries about what McWhorter would be like, I didnââ¬â¢t quite realize that I had somehow dialed his office number until a deep voice filtered through the receiver. ââ¬Å"Yes? McWhorter speaking. â⬠With a tingling sense of nervousness I had forgotten since my rookie days, I introduced myself and asked if he could spare time for a brief interview. He replied, ââ¬Å"Interviews, my dear sir, are rarely brief,â⬠and I could almost hear his smile. There was that brilliant wit which had inspired him to state that there were ââ¬Å"no feminine-gendered tables that talk like Penelope Cruz. (McWhorter, 251) After a turn or two of friendly wrangling, he gently suggested meeting Saturday afternoon at a quiet cafe we both knew. I agreed to the designated rendezvous and, unable to control the temptation, asked, ââ¬Å"How long have you said cafe like that? â⬠The way McWhorter pronounced the word was this: the ââ¬Ëcââ¬â¢ was sweeter and lighter, in the way Italians and Spaniards speak, and the ââ¬Ëfââ¬â¢ was said like a soft ââ¬Ëpââ¬â¢Ã¢â¬âsounding simply foreign. He said simply, ââ¬Å"Since I was very young. I already knew that he had ââ¬Å"taught himself languages as a hobby since childhoodâ⬠(McWhorter, 247), and unsatisfied as I was with his answer, I vowed that Saturday would be a new day. On Saturday afternoon I drove down a peaceful country road and walked silently into the cafe. A tall man stood wi th his back to me, gazing out the large French window, and without prologue asked, ââ¬Å"Isnââ¬â¢t that a beautiful poem right in front of us? Anne Shirley said it a century ago, but Iââ¬â¢ll take the liberty to repeat it.The lines and verses are only the outward garments of the poem; the real poem is the soul within themâ⬠¦ and that beautiful scene is the soul of an unwritten poem. â⬠I smiled quietly at his analytical but sensitive analogy, reminded immediately of his description of the word ââ¬Ëalââ¬â ââ¬Å"an evergreen branch, a word whose final sound is a whistling past the sides of the tongue that sounds like wind passing through just such a branch. â⬠(McWhorter, 247) I later asked him what his childhood nickname had been, and laughing, he confessed that he had most often been called ââ¬Å"poetâ⬠.Small wonder for a man who could condense a long, everyday sentenceââ¬âsay, for example, ââ¬Å"there are an innumerable number of books that c ould have summed up to no mean weightâ⬠ââ¬âinto three pithy, creative, imagery-filled words: ââ¬Å"Bookstore shelves groan. â⬠(McWhorter, 247) He folded his long self into the armchair, crossing his legs, and leaning slightly forward he told me to sit down. As I sat, I remarked, ââ¬Å"You look a great deal like I imagined you to be. â⬠His quiet question and intelligent gaze compelled me to elucidate.I had gathered much of the premises from his writing. The contrasting thoughts ââ¬Å"I hardly rejoice when a language diesâ⬠(McWhorter, 247) and ââ¬Å"Would it be inherently evil if there were not 6,000 spoken languages but one? â⬠(McWhorter, 252) could hardly have revealed themselves in a single piece of writing unless the writer was a man of exceptionally precise, cold logic. Thus I had already envisioned the deep-set, handsome eyes that flashed fire from under his brow, and the firmly set mouth. I had also imagined him to be a handsome man, and he was that, too.Humor saved the chin from tapering too sharply, the mouth from being dour: ââ¬Å"Spanish speakers do not go about routinely imagining tables as cooing in feminine tones. â⬠(McWhorter, 249) McWhorter laughed at my analysis, wryly telling me that I should have gone out for professional work in physiognomy, and handed me the menu which the waitress had left by his side. These little considerate actions which I had noticed during the phone call and the three minutes I had met him, inspired me to ask if he had always been so considerate. He looked surprised. I have never thought myself considerate,â⬠he said slowly, ââ¬Å"I am often told that I am too frank with my words. Before I make my opinion on something, I look at it from all perspectives to check that it is perfectly reasonable and logical. But once I make it, I say it without stopping to think if people who think otherwise will be hurt by my words. â⬠I protested. I had already known that he was a considerate person just by reading his article; namely, the welcoming way with which he drew his readers in: ââ¬Å"Most Americans pronounce disgusting as ââ¬Å"diss-kustingâ⬠with a k sound. Try itââ¬âyou probably do too. )â⬠(McWhorter, 248) The tall man leaned back in the armchair and laughed. ââ¬Å"My dear friend, every writer is obligated to welcome his readers. Readers are the laziest species that ever drew breath, and if they donââ¬â¢t feel welcomed, they wonââ¬â¢t read. As for being patient in littler thingsââ¬âwell, I donââ¬â¢t know if this is very relevant or not, but I read five versions of the Talmud, each one progressively harder, when I was in middle school. Iââ¬â¢m pretty sure junior high was when my interest in Hebrew peaked.The Talmud was a pretty good source of linguistic and cultural knowledge, and some of the moral standards made pretty logical sense, so I adopted them as my own. â⬠It was relevant. Being considerate in a gent lemanly way, however, was different from the deferential attitude that McWhorter always took on when dealing with other cultures. More curious was how completely he seemed to understand each language, from its origin to how the people felt about itââ¬âââ¬Å"Native American groups would bristle at the idea that they are no longer meaningfully ââ¬Å"Indianâ⬠simply because they no longer speak their ancestral language. (McWhorter, 249) McWhorter looked a trifle annoyed at first, but gradually his well-shaped face took on more complacent, amused lines. ââ¬Å"I am a writer, and I am a linguist,â⬠he said. ââ¬Å"Both have to do with wordsââ¬âtheir denotation, connotation, nuance, and power. Knowing the power each word can wield automatically inspires you to feel a certain reverence for the English vocabulary in generalââ¬âIââ¬â¢m sure youââ¬â¢ll agree with me there, sirââ¬âand knowing the power each language can wield brings you on your knees before th e altar of all languages. â⬠ââ¬Å"But you donââ¬â¢t worship something you know absolutely nothing about,â⬠he aid, gazing out at the sunlit scene again. ââ¬Å"You first make sure that whatever it is, it is something that deserves to be worshipped. So you study the language. From then on, itââ¬â¢s rather like jumping into a river. Jump into the heart of the current, and you will be swept away like a stray autumn leaf. If you give yourself wholeheartedly up for the language to mold, the culture starts to mold you too. And as for the fact that I feel this way towards all languages,â⬠and here a small frown creased his brow as he turned to me again, ââ¬Å"well, it is a shame that this should be surprising, that is all.Each language has a rich legacy, albeit a legacy very different from our own, and they should be respected. â⬠McWhorterââ¬â¢s eloquence touched me, and we talked for two more hours, vacillating from common everyday things I caught glimpses of from his article to fascinating facts I had never dreamed about him. I learned that he had mastered Socratesââ¬â¢ syllogisms at the age of six and Hegelian dialectics at the age of twelve, and that the value he respected most in humanity was its reason.Judging by the cold shoulder he gave his so beloved minority languages in his concluding paragraphââ¬âââ¬Å"We must consider the question in its pure, logical essenceâ⬠(McWhorter, 252)ââ¬âit was hardly surprising. More interesting was the fact that he had no less than four dogs at home, each named after a rare language he had specially enjoyed. The latest addition to the family was a darling slender little Chihuahua named Ket, with triple the uncertain grace of awkwardness found in dogs of his species. In the middle of hearing about Ketââ¬â¢s antics, I asked rather abruptly, ââ¬Å"What art form is your favorite?Modernist? â⬠McWhorter looked at me, surprised. ââ¬Å"How did you guess? â⬠I laughed. McWhorter, for a man of such clear-cut logic, enjoyed impossibilities as far as reality allowedââ¬â ââ¬Å"The Ket language of Siberia is so awesomely irregular as to seem a work of art. â⬠(McWhorter, 250) It was only natural that he should enjoy Picasso, whose pictures showed sharper intellectual insight, over David or Michelangelo, whose works were but excellent facsimiles of lifeââ¬â¢s appearance copied onto canvas and marble.Four hours passed by in the blink of an eye and time came for McWhorter to leave. He stood up and cordially shook my hand. ââ¬Å"It was an honor meeting you, sir, though I dare say the interview was not short. â⬠I shook my head. ââ¬Å"No, it was an excellent interview. Thank you very much, Mr. McWhorter. â⬠ââ¬Å"Please, John,â⬠McWhorter smilingly said. ââ¬Å"If thereââ¬â¢s one thing I learned from studying languages, it is that names are the essence of culture. Iââ¬â¢ve seen many languages that are creative and fiendi shly difficult and randomââ¬âbut no language is ever simpler than the other.Each has rich names for the things they treasure most. Native Americans sometimes have odd names; did you know that they have to earn it? But in our culture, we place identification foremostââ¬âand thanks be, my name is John McWhorter; John for friends and Mr. McWhorter for editors who donââ¬â¢t like my articles. â⬠ââ¬Å"Arenââ¬â¢t there many Johns here? â⬠I teased, laughing, as I pulled on my coat. McWhorter shook his head. ââ¬Å"None like me, John McWhorter,â⬠he smiled, and treaded lightly out the door.
Wednesday, January 8, 2020
The Irony of Geoffrey Chaucer in the Canterbury Tales Essay
To begin, I will catch you up on what has happened up until the prologues of the characters. Chaucer introduced to us the characters that are going on this big trip to Canterbury. A number of religious affiliated people went on this group trip. Having the religious people in the group had a major impact on the people. They were able to get to really learn the true attitudes are the way these people really where. So in the general prologue, all the characters introduced themselves and gave a little background on themselves. Now knowing that, you need to know that these people did not exist. The trip itself did not exist, it was all made up. Chaucer was able to use other people to say what he was thinking on the inside. This was a huge. Heâ⬠¦show more contentâ⬠¦They donââ¬â¢t know that what the Pardoner is preaching is wrong so they are convinced he knows what he is talking about. The only thing he cares about is getting their money. Once they are dead, they can go down for all he cares. Now the Pardoner is telling everyone this! He is getting on the drunk side so he is opening up to what he is doing. The Pardoner says the following, ââ¬Å"Trust me, you need not to doubt my word. I wonââ¬â¢t betray you, Iââ¬â¢ll be trueâ⬠. The Pardoner is telling this to these people right after he was telling them about his secret manipulation of the people. The people listening to his tale are beginning to get furious! They are supposed to go to the Pardoner to repent of their sins, and by repent, it means pay him for it. This man doesnââ¬â¢t care, he doesnââ¬â¢t listen, he could care less about saving people. The Pardoner likes a good drink at the bar, a lady by his side, and money in his hand. The Pardoner use of satire is that Chaucer is telling the people exactly what preachers, like the Pardoner, where really doing. The Pardoner himself didnââ¬â¢t exist, however people like him did. That was the irony of the story. To continue on, the second use of Chaucerââ¬â¢s satire was in the tale, the Wife of Baths. During Chaucerââ¬â¢s time, men where aloud to beat their wives. Men where in charge and that was it. What a man said is what the woman had to do. Chaucer however did not agree with this. So he used satire through the Wife of Baths to show woman had their way aroundShow MoreRelatedEssay on Geoffrey Chaucer778 Words à |à 4 PagesGeoffrey Chaucer Geoffrey Chaucer was a poet, a writer, and of course a diplomat. Geoffrey Chaucer was born in the early hours of 1340s to John Chaucer, a vintner and assistant to the kings butler. As a boy, he was a leaf to the Countess of Ulster. (Lombardi) Chaucer was the most famous for writing his unfinished Canterbury tales. (Geoffrey Chaucer) He was born in London, only problem is, the exact date and place are unknown. From his writings Chaucer emerges as poet of love, both worldly and heavenlyRead More Chaucers Canterbury Tales - Comparing The Pardoners Tale and The Nuns Priests Tale805 Words à |à 4 PagesIrony in The Pardoners Tale and The Nuns Priests Tale à Irony is the general name given to literary techniques that involve surprising, interesting,or amusing contradictions. 1à Two stories that serve as excellent demonstrations of irony are The Pardoners Tale and The Nuns Priests Tale, both from Chaucers The Canterbury Tales. Although these two stories are very different, they both use irony to teach a lesson. à à à à à à Of the stories, The PardonersRead MoreTones, Moods, and Irony in the Canterbury Tales833 Words à |à 4 Pagessetting, theme, and tone. Irony, however, is a tone in which the real meaning is contradicted by the words that were used. 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In Geoffrey Chaucerââ¬â¢s The Canterbury Tales, he specifically illustrates through his pilgrimsââ¬â¢ stories some comical and realistic events that display immorality in the Middle Ages. There are several characters whose stories are focused on presenting the immorality within their tales. Like that of ââ¬Å"The Millerââ¬â¢s Tale,â⬠and ââ¬Å"The Merchantââ¬â¢s Tale.â⬠Chaucer utilizes these tales to display one specific immoral act, which is sexual sin or lust. Chaucer addresses the seven deadly sinsRead MoreGeoffrey Chaucers Experiences In the Canterbury Tales Essay1130 Words à |à 5 PagesIn the Canterbury Tales, Geoffrey Chaucer describes the journeys and life lessons of thirty fictitious pilgrims. Scholars explain that only one of the thirty pilgrims was indeed Chaucer, but other characters in the Canterbury Ta les represent the struggles of Chaucer as well. Although the pilgrimsââ¬â¢ tales were pretend, they were based on actual events that Chaucer experienced throughout his lifetime. He represents his own insecurities and flaws throughout the array of the charactersââ¬â¢ tales. SituationRead MoreChaucer s The Canterbury Tales906 Words à |à 4 PagesIn the general prologue to Geoffrey Chaucerââ¬â¢s, The Canterbury Tales, Chaucer reveals his dissatisfaction of the distribution of power and how that power was maintained in the Medieval England estate system, through the use of his physical description of each of the pilgrims and by the personality of specific members of each caste. To portray these characters and the flaws that they represent in actual medieval society, Chaucer heavily relies on the use of irony to describe many of the travelers in
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